I'm posting an expanded version of a comment on
a real thought-provoking blog post from Doyle the Science Teacher. I recommend checking it out. He lays it out in a much-less-preachy style.
People are quick to take the story of the balloon boy hoax and turn it into a lesson on lying. I suppose that's easier for parents to use than, say, a story of lying about one's weight or age or popularity back in high school. If I want to teach Joel and Micah about lying, it might be more dramatic and even more tragic to tell a story of being caught in a lie, telling more lies to hide the lie and then the freedom I felt in telling the truth. Or I'll let each boy experience that himself. Either way, Doyle's right. The Balloon Boy story isn't about lying. And it's not a teachable-moment-commodity to hand out to uncreative teachers.
I actually thought about using this story in my computer class in conjunction with a warning in
Fahrenheit 451 about the greatest commodity in an amusement-based culture being fame and about the media hype and manipulation based upon fear. Bradburry called this one. He said that, in the parlor room, with the imaginary friends, it would be all about your status and image. Call it Twitter followers or Facebook Friends or Arne Duncan's "Race to the Top." The pursuit of fame, status and achievement all cause people to wear masks and make up stories and do stupid things for attention.
I can see the story fitting well with either
Fahrenheit 451 or
Brave New World. I don't think I'll use it, though. My biggest reason is that it kind-of feels like exploitation. For all I know, this blog post might be exploiting a story as well. I don't know the child, but it sounds like he's in a pretty crazy family and he's tossed into a media circus. I recently said, in a conversation, "I'm tired of this story. I can't wait until it's over." Now I'm blogging about it.
Neil Postman warned about the disappearance of childhood in a media-based world, where there is no distinction between adulthood and childhood. I keep thinking that, in this story, the adults (from the news anchors to the family to the audience) acted the most childish.
We can criticize the characters, because we don't know them. But it's the narrarator who really fucked this one up and it's the audience who bought into it too quickly. If I can criticize the character, I can ignore the reality that the plot is too often my own. How often have I played pretend just to be noticed or gain some tiny slice of fame or feel important for a few hours? How often have I been duped by media hype? If I can turn it into a story about lying I can miss how easy mainstream bought into words like "Axis of Evil" or "Weapons of Mass Destruction" or more recently "Yes We Can."
Incidentally, I called it. When it happened, a few teachers were talking about it and I said, "It's doubtful that a six year old pulled it off. It's most likely a hoax." I felt awful at the time, because, if it was real, I would have been the world's most insensitive prick.
I realize that sounds arrogant, but it's not meant to be. The folks around me in charge of educating our youth should have been just as critical. Language arts teachers, trained in the narrative structure, should have identified author's purpose and bias and the absurdly pretend techno-setting and the foreshadowing of a narrative so common that it's become cliche.
I could stop here, with myself on a pedastal. However, I was tricked a time or two, despite being a social studies teacher. I believed that Afghanistan was connected to 9-11. I believed, initially, that America would never actually torture prisoners. At one time, I perpetuated a myth that the Civil War was about state's rights rather than slavery. So, as easily as I criticize those who paid attention to cable news, I was duped by works from academia and articles from
The New York Times.
photo credit - a cool little satire poster from
jenosale's photo stream on flickr creative commons
Another great parody suggest to me by my friend Pamela.